Renee Gladman is a writer and artist preoccupied with crossings, thresholds, and geographies as they play out at the intersections of poetry, prose, drawing and architecture. She is the author of twelve published works, including a cycle of novels about the city-state Ravicka and its inhabitants, the Ravickians—Event Factory (2010), The Ravickians (2011), Ana Patova Crosses a Bridge (2013), and Houses of Ravicka (2017)—as well as Calamities, a collection of linked auto-essays on the intersections of writing, drawing, and community, which won the 2017 CLMP Firecracker Award for Creative Non-Fiction. Morelia, a brief crime novel was released in spring 2019. Her drawings have been collected in Prose Architectures (2017) and One Long Black Sentence, a series of white ink drawings on black paper and indexed by Fred Moten (2019). Recent essays and visual work have appeared in The Paris Review, Gulf Coast, Granta, Harper’s, BOMB magazine, and n+1. She has been awarded fellowships, artist grants, and residencies from the Radcliffe Institute for Advanced Study at Harvard, Foundation for Contemporary Arts, the Lannan Foundation, and KW Institute for Contemporary Art (Berlin) among others. As a 2020 Bagley Wright Lecturer, she’ll be touring various cities in the U.S. and Canada, presenting talks on moving architectures, scoring invisibility, and drawing writing. She makes her home in New England. Read some recent work or an interview. Work with Renee at the threshold of genre in her generative fiction workshop. Or uncover new ideas about creative indexing in Renee’s craft session.